About Me

Last modified: May 23, 2018 @ 1:12 pm

Contact e-mail: donyaquick@gmail.com
Academic e-mail:  dquick@stevens.edu
Alternate e-mail: donyavq@netscape.net

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I am currently a Research Assistant Professor at Stevens Institute of Technology. I am interested in research and teaching in the areas of computer music, artificial intelligence, machine learning, computational linguistics, and programming languages.

PDF Cariculum Vitae
My LinkedIn Profile

Current research area: since the spring of ’09, my research has involved modeling the compositional process through a combination of programming languages, artificial intelligence, machine learning, music theory, and linguistics. I am particularly interested in the relationship between music and language and have been exploring the use of grammars in music generation.

Previous research and academic experience: my background prior to coming to Yale was in computer science and environmental science at Southern Methodist University (SMU). My research involved visualization of DNA/RNA and seismic data as well as event cluster detection in seismic data.

Employment

  • Research Assistant Professor, Stevens Institute of Technology, June 2017 – present
  • Visiting Professor, Southern Methodist University, August 2016 – May 2017
  • Researcher, University of Arizona, June 2016 – August 2016.
  • Lecturer, Yale University Department of Computer Science, November 2014 – May 2016.
  • Postdoctoral Research Associate, Yale University Department of Computer Science, September 2014 – October 2014.
  • Software development for Geotech Instruments, 2007.

Education

  • Ph.D. in Computer Science, Yale University, December 2014.
  • M.Phil. in Computer Science, Yale University, December 2011.
  • M.S. in Computer Science, Yale University, December 2011.
  • M.S. in Computer Science, Southern Methodist University, July 2008.
  • B.S. in Computer Science and Environmental Science, Southern Methodist University, May 2008. Graduated summa cum laude.
  • A.A. in Science, Lord Fairfax Community College, May 2005.
  • Honor societies:
    • Phi Beta Kappa
    • Phi Theta Kappa

Publications

  • The Haskell School of Music: from Signals to Symphonies. Paul Hudak and Donya Quick. Cambridge University Press, 2018 (forthcoming).
  • Composition by Conversation. Donya Quick and Clayton T. Morrison. Proceedings of the International Computer Music Conference, 2017.
  • Recursive Generation of Rhythmic Structures with PTGGs. Brian Heim and Donya Quick. Proceedings of the International Computer Music Conference, 2017.
  • Learning Production Probabilities for Musical Grammars. Donya Quick. Journal of New Music Research, 2016.
  • Composing with Kulitta. Donya Quick. Proceedings of the International Computer Music Conference, 2015.
  • Media Modules: Intermedia Systems in a Pure Functional Paradigm. Mark Santolucito, Donya Quick, and Paul Hudak. Proceedings of the International Computer Music Conference, 2015.
  • Real-Time Interactive Music in Haskell. Paul Hudak, Donya Quick, Mark Santolucito, and Daniel Winograd-Cort. 2015 Workshop on Functional Art, Music, Modeling, and Design.
  • Kulitta: a Framework for Automated Composition. Doctoral Thesis at Yale University. August, 2014.
  • Grammar-Based Automated Music Composition in Haskell. Donya Quick and Paul Hudak. 2013 Workshop on Functional Art, Music, Modeling and Design.
  • A Temporal Generative Graph Grammar for Harmonic and Metrical Structure. Donya Quick and Paul Hudak. Proceedings of the International Computer Music Conference, 2013.
  • Computing with Chord Spaces. Donya Quick and Paul Hudak. International Computer Music Conference, 2012. Supporting implementation.
  • Generating Music Using Concepts from Schenkerian Analysis and Chord Spaces. Donya Quick. Yale Technical Report, 2010.
  • Masters thesis: Applications and Parameter Analysis of Temporal Chaos Game Representation. Southern Methodist University, 2008.
  • TCGR: A Novel DNA/RNA Visualization Technique. Donya Quick and Margaret H. Dunham. Extended abstract, NGDM 2007.
  • Visualization of DNA/RNA Structure using Temporal CGRs. Margaret H. Dunham, Donya Quick, Yuhang Wang, Monnie McGee, and Jim Waddle. IEEE BIBE 2006.

Posters

  • Empirical Evaluation of Kulitta. Donya Quick and Christopher Burrows. Northeast Music Cognition Group, 2015.
  • Empirical Assessment of Automated Composition Algorithms. Donya Quick and Christopher Burrows. Proceedings of the 54th Annual Meeting of the New England Psychological Association, October 2014.

Talks

  • Algorithmic Music in Haskell. Donya Quick. Invited talk at the 2017 Haskell Symposium.

Software Projects

  • MUSICA, contributor, spring 2016 – present. A system for interactive improvisation and musical communication funded by the Communicating with Computers DARPA grant.
  • Kulitta, creator and maintainer, spring 2009 – present. A framework for algorithmic and automated composition.
  • Euterpea, contributor and maintainer, fall 2009 – present. A library for music representation, algorithmic composition, and sound synthesis in Haskell.

Music Composition Performances, Concerts, and Commissions

  • Tandava, algorithmic composition using Kulitta performed at Electronic Music Midwest, 2017.
  • Vesicularia, algorithmic composition performed at Electronic Music Midwest, October 2016.
  • Paul Hudak Symposium Listening Room, April 2016. Concert organization and presentation of multiple original and algorithmic compositions using Euterpea and Kulitta.
  • Algorithmic music commission, January 2016. Using Kulitta to produce performable piano compositions for Gartner.
  • Euterpea Studio Concert, November 2015. Concert organization and presentation of an algorithmic composition using Kulitta.

Courses Taught

  • Functional Creative Coding (spring 2017, SMU). Functional paradigms explored through musical applications using Haskell programming language and Euterpea library.
  • Sound and Code (spring 2017, SMU). Creating virtual instruments and signal processing programs with Pure Data.
  • AI and Creative Composition (fall 2016, SMU). Advanced course examining AI in creative fields, with a focus on automated music generation.
  • Creative Coding I (fall 2016 and spring 2017, SMU). Introduction to programming using Processing and Java.
  • Computer Music: Sound Representation and Synthesis (spring 2016). Advanced computer music course focused on low-level issues of representing sound and programming with streams. Software used: Haskell and Euterpea.
  • Programming Musical Applications (fall 2015, Yale). Introductory course exploring the basics of programming and computer science with music as an area of application. Software used: JythonMusic.
  • Computer Music: Algorithmic and Heuristic Composition, (spring 2015). Advanced computer music course focused on programming language representation for score-level musical features and algorithms for producing novel musical works. Software used: Haskell and Euterpea.

Teaching Assistant Experience (Yale University): Object-Oriented Programming, Parallel Programming Techniques, Computer Music, Machine Learning, Cryptography and Computer Security, and Advanced Artificial Intelligence.

Skills

  • Currently developing with: Haskell, Python, Processing, Java
  • Recent past development with: Pure Data, PhHP
  • Familiar with: C++, C, SQL/MySQL, C#, ML, Verilog, Assembly.
  • Other skills: repository/version management, iterative software development with a programming team, algorithm engineering.

Hobbies and other interests:

  • Music: I currently play piano and guitar (classical, electric, and bass electric) and occasionally attempt theremin. In the past I played violin, recorder, and dumbec.
  • Origami and other forms of art. My work is hosted on Deviantart.
  • Aquatic gastropods, both freshwater and marine. My work on the subject can be found here.
  • Marine hermit crab behavior. My work on the subject can be found here.
  • Propagation of soft corals and sea anemones.
  • Freshwater and marine reef aquariums.

origami_parasaurolophus
Origami Parasaurolophus, designed and folded by me. Instructions can be found HERE.

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